Kino Evropa

Cinema Europe

Selektor: Ivan Marinović

Kino Evropa je nekompetitivna selekcija namjenjena pravim ljubiteljima arthouse filma. Ona nam predstavlja najnovije trendove i tendencije u savremenoj evropskoj produkciji. Ne treba trošiti riječi na velikane poput Hanekea, Ildiko Enyedi, Hazanaviciusa, Claire Denis i Zvyagintseva. Ipak, pažnju treba obratiti i na  uzbudljiva ostvarenja manje poznatih autora kao što su italijanski "A ciambra" Jonasa Carpignana, i "A fabrica de nada" portugalskog autora Pedra Pinha. Cjelinu tradicionalno zaokružujemo pobjednikom festivala u Kanu - fascinantnim ostvarenjem "The Square" Rubena Ostlunda. O ovom filmu će se do kraja godine još mnogo pisati i govoriti kako sezona nagrada filmskih udruženja i filmskih akademija bude odmicala, a publika našeg festivala ima tu privilegiju da ga pogleda prije svih u regionu. 

Istina je da malo koji festival ima ljepše i romantičnije pozornice od Herceg Novog. Ti ambijenti će, uz ponuđen sadržaj, zadovoljiti i najprobirljivije i najzahtjevnije posjetioce i filmofile. Ali ako ovogodišnjem programu pristupimo istinski otvorenih očiju, ne tražeći eskapizam, vidjećemo da se pred nama otvaraju neke korisne sumnje, kao i veoma važna preispitivanja vrijednosti koje nam se iz dana u dan nameću. 

 

Cinema Europe is a non-competitive selection dedicated to the true fans of arthouse cinema. It presents us the newest trends and tendencies in modern European production. It is needless to mention great names such as Haneke, Ildiko Enyedi, Hazanavicius, Claire Denis and Zvyagintsev. However, attention should be drawn to exciting works of less known authors such as Italian “A ciambra” by Jonas Carpignano and “A fabrica de nada” by a Portuguese author Pedro Pinha. We are traditionally closing the festival with the winner of the Cannes festival – a fascinating feature “the Square” by Ruben Ostlund. By the end of the year, as the season of film association and academy awards progresses, this film will have been greatly praised and talked about, and our audience will have the privilege to see it before anyone else in the region.

It is a fact that not many festivals have such beautiful and romantic stages as Herceg Novi does. This ambience, in addition to its programs, will please even the most demanding visitors and film lovers. But, if we approach this year’s program with eyes wide open, not seeking to escape, we’ll see useful doubts and important questioning of our values constantly opening before us, as the time passes by.

Selektor

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