Zemlja / Country: Montenegro
Godina / Year: 2025
Trajanje / Runtime: 12
Produkcija / Production: FDU Cetinje
Reditelj / Director: Tamara Pavićević
Scenario / Screenplay: Tamara Pavićević
Producenti / Producers: Tamara Pavićević
Direktor fotografije / Cinematography: Jana Vuković
Montaža / Editing: Neda Živanović
Dizajn zvuka / Sound design: Eva Todorovska, Lado Raičković, Balša Pavićević
Niko ne zna Svetozara Nikočevića, ali svi su čuli za Kiku. Tetovirani, stari bodybuilder djeluje kao hodajuća prijetnja. Obim ruke 55 cm – ponavlja to sa ponosom, upoređujući se sa Švajcenegerom, ali „bez steroida“. Ispod duge brade i marame nalazi se nježni div. Ožiljci od noža na prsima, izgubljena ljubav, prazna kuća. Legenda ili čovjek koji ne zna šta sa tišinom?
No one knows Svetozar Nikocevic, but everyone has heard of Kika. The tattooed, old bodybuilder seems like a walking threat. Arm circumference of 55 cm – he repeats it with pride, comparing himself to Schwarzenegger, but “without steroids”. Under the long beard and headscarf, a gentle giant is revealed. Knife scars on his chest, lost love, empty house. Legend or a man who doesn’t know what to do with silence?
Tamara Pavićević je filmska rediteljka i teoretičarka čiji se rad nalazi na presjeku društvenog komentara i istraživanja žanrova. Kroz svoje kratke igrane filmove, dokumentarce i video instalacije, ispituje teme kulturnog pamćenja, posljedica traume i mentalnog zdravlja. Njena posvećenost društveno angažovanoj umjetnosti ogleda se u njenom učešću u dokumentarnom programu Ateljea Varan, izložbi Savjeta Evrope i Kongresu mira u Berlinu, kao i u njenoj ulozi osnivačice nevladine organizacije posvećene kulturnom napretku, ljudskim pravima i zalaganju za zaštitu životne sredine. Nakon master rada o feminističkoj filmskoj teoriji i karakterizaciji žena u hororu, trenutno je na doktorskim studijama u Tokiju kako bi dalje istražila mehaniku i subverziju žanra psihološkog horora.
Tamara Pavicevic is a filmmaker and researcher whose work sits at the intersection of social commentary and genre exploration. Through her short fiction films, documentaries, and video installations, she examines themes of cultural memory, the aftermath of trauma, and mental health. Her dedication to socially conscious art is reflected in her participation in the Ateliers Varan documentary programme, Council of Europe exhibition, and the Peace Congress Berlin, as well as her role as the founder of an NGO dedicated to cultural advancement, human rights, and environmental advocacy. After completing a master’s thesis on feminist film theory and female characterization in horror, she is currently pursuing doctoral research in Tokyo to explore the mechanics and subversion of the psychological horror genre even further.